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	<title>dianadecker</title>
	<link>https://dianadecker.de</link>
	<description>dianadecker</description>
	<pubDate>Thu, 30 Mar 2023 14:26:13 +0000</pubDate>
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		<title>Die ZEIT</title>
				
		<link>https://dianadecker.de/Die-ZEIT</link>

		<pubDate>Sun, 19 Feb 2023 10:49:52 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

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	DIE ZEIT — Business
	2022




&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/826dd630326b7c216018ab75ace295294a1e7051b9f1e1847bde5e41379df1e8/6.png" data-mid="169457034" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/826dd630326b7c216018ab75ace295294a1e7051b9f1e1847bde5e41379df1e8/6.png" /&#62;
[32/2022] &#38;nbsp;Die Politik der heißen Luft&#38;nbsp;—&#38;nbsp;Rendering&#38;nbsp;by Pascal Wiemers










	
&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/01015b9e65cf44c8a8d494ef6096d488f3c6a32816cec0b47e7be99355656352/16.png" data-mid="173972971" border="0"  src="https://freight.cargo.site/w/1000/i/01015b9e65cf44c8a8d494ef6096d488f3c6a32816cec0b47e7be99355656352/16.png" /&#62;
[33/2022] &#38;nbsp;Ich beteilige mich nicht an Kassandrarufen — Photographed by Stephie Braun

	&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/0b4de3951a3b0e0047e7fb5223c4c241c1e6d92e815f5eaf414a37e77dbf6e2d/10.png" data-mid="169657068" border="0"  src="https://freight.cargo.site/w/1000/i/0b4de3951a3b0e0047e7fb5223c4c241c1e6d92e815f5eaf414a37e77dbf6e2d/10.png" /&#62;
[35/2022] &#38;nbsp;Das ist letztendlich Verarsche —&#38;nbsp;with Frauke Schnoor;&#38;nbsp; Photographed by Monika Keiler

	&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/47b2775cca41d953ad2b22a193681218e701740110d13497a6e35841c38f8d45/11.png" data-mid="171798374" border="0"  src="https://freight.cargo.site/w/1000/i/47b2775cca41d953ad2b22a193681218e701740110d13497a6e35841c38f8d45/11.png" /&#62;
[31/2022] &#38;nbsp;Projekt Di–Mi–Do —&#38;nbsp;Photographed by Fritz Beck&#38;nbsp;









&#60;img width="2189" height="3088" width_o="2189" height_o="3088" data-src="https://freight.cargo.site/t/original/i/fe25a64fb14624fb6628f91d232c62d5e196852fcb85488c7e1dbade778c31cb/18.png" data-mid="176594637" border="0"  src="https://freight.cargo.site/w/1000/i/fe25a64fb14624fb6628f91d232c62d5e196852fcb85488c7e1dbade778c31cb/18.png" /&#62;
[48/2022]&#38;nbsp; Bis aufs Blut — Photographed by Laurent Sola/Getty Images

	&#60;img width="2189" height="3088" width_o="2189" height_o="3088" data-src="https://freight.cargo.site/t/original/i/bd64e19e1a1bab7e70aa765578cc2d133f2b128d39fdc8780f54c0a8e0f664d3/17.png" data-mid="176594634" border="0"  src="https://freight.cargo.site/w/1000/i/bd64e19e1a1bab7e70aa765578cc2d133f2b128d39fdc8780f54c0a8e0f664d3/17.png" /&#62;
[52/2022] &#38;nbsp;Die besten Jahre kommen noch&#38;nbsp;— with Norman Hoppenheit;&#38;nbsp; Photographed by Anna Ziegler

	&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6ec75a6e500ec3623594403e03a379e273b21449ac589ab2a905563433c47216/15.png" data-mid="176593570" border="0"  src="https://freight.cargo.site/w/1000/i/6ec75a6e500ec3623594403e03a379e273b21449ac589ab2a905563433c47216/15.png" /&#62;
[35/2022] &#38;nbsp; Ohne Gegenwind&#38;nbsp;— Photographed by Anna Aicher










	Illustrations
	
	2022


	&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/974c23985283c0eb8fdd35f48df17bf3fad4d320feb99a1eef2d8ded99e7c6a2/12.png" data-mid="171798376" border="0"  src="https://freight.cargo.site/w/1000/i/974c23985283c0eb8fdd35f48df17bf3fad4d320feb99a1eef2d8ded99e7c6a2/12.png" /&#62;
[33/2022] &#38;nbsp;Sparschweine auf Diät —&#38;nbsp;Illustrated by Arne Bellstorf &#38;nbsp;(3)
	&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/e78dacf78bbfe8adfb5346213efcbe7685712b67b4b56cf8b41cbaa5def32e80/13.png" data-mid="171798377" border="0"  src="https://freight.cargo.site/w/1000/i/e78dacf78bbfe8adfb5346213efcbe7685712b67b4b56cf8b41cbaa5def32e80/13.png" /&#62;


	&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a3ae957f4cbae605191aeb580feec99126b9690419f6f2cc03aa6ae1b5dd0e11/1.png" data-mid="169457028" border="0"  src="https://freight.cargo.site/w/1000/i/a3ae957f4cbae605191aeb580feec99126b9690419f6f2cc03aa6ae1b5dd0e11/1.png" /&#62;











&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/0e1fe16427104c0fc31696d04545f4e8e78b15a02ce376fe99eb56671f40362f/3.png" data-mid="169457032" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/0e1fe16427104c0fc31696d04545f4e8e78b15a02ce376fe99eb56671f40362f/3.png" /&#62;
[33/2022] &#38;nbsp;An der goldenen Kette &#38;nbsp;—&#38;nbsp;with Lara Huck; Photographed by Daniel Stier










	&#60;img width="2189" height="3088" width_o="2189" height_o="3088" data-src="https://freight.cargo.site/t/original/i/20b47332950d9f09cf348dc51887942a5077af51314b39074c098f7f11d658ea/2.png" data-mid="169457030" border="0"  src="https://freight.cargo.site/w/1000/i/20b47332950d9f09cf348dc51887942a5077af51314b39074c098f7f11d658ea/2.png" /&#62;[34/2022] &#38;nbsp;Drogen für den Chef —&#38;nbsp;Illustrated&#38;nbsp;by Christina Daura

	&#60;img width="1124" height="1584" width_o="1124" height_o="1584" data-src="https://freight.cargo.site/t/original/i/cc634a8ecdfc8be0ac6e789fbd7e8073e57e7743c02355789920892d8d435d61/Bildschirmfoto-2023-02-24-um-11.28.20.png" data-mid="169532043" border="0"  src="https://freight.cargo.site/w/1000/i/cc634a8ecdfc8be0ac6e789fbd7e8073e57e7743c02355789920892d8d435d61/Bildschirmfoto-2023-02-24-um-11.28.20.png" /&#62;
[36/2022] &#38;nbsp;Wer kontrolliert die ARD-Könige?&#38;nbsp;—&#38;nbsp;Illustrated by Anna Haifisch

	&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8b4115d096b878f5a4ad8de35a48014993fe7f496a837280b82c470ca526f4f6/5.png" data-mid="169457033" border="0"  src="https://freight.cargo.site/w/1000/i/8b4115d096b878f5a4ad8de35a48014993fe7f496a837280b82c470ca526f4f6/5.png" /&#62;
[48/2022] &#38;nbsp;Anzeigen – oder zahlen? —&#38;nbsp;Illustrated by Sandro Rybak










DIE ZEIT – Unterhaltung &#38;nbsp;
	
	2022


	
&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/84b68d5c4bc50405fe953f845942725fc4ee8721547ffee5e1afc0a9aa5f239f/7.png" data-mid="169457035" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/84b68d5c4bc50405fe953f845942725fc4ee8721547ffee5e1afc0a9aa5f239f/7.png" /&#62;
[02/2023]&#38;nbsp; &#38;nbsp; Frühstück bis 10 Uhr ist schon brutal&#38;nbsp;— Photographed by Thomas Pirot




	






	DIE ZEIT – Green
	2022

	&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/4a2ad46d42c9ea254de0aa71d5f46f67426de354639ed12439c945dfed622cef/8.png" data-mid="169657074" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4a2ad46d42c9ea254de0aa71d5f46f67426de354639ed12439c945dfed622cef/8.png" /&#62;
[36/2022] &#38;nbsp;Wir sind besser, als wir glauben! &#38;nbsp;—&#38;nbsp;with Lara Huck; Illustrated by Lisa Sheehan

	&#60;img width="1600" height="1143" width_o="1600" height_o="1143" data-src="https://freight.cargo.site/t/original/i/1101400cfa78da9a00aa5402d1290edefcf5805628565e9d65e30ee8ad2d9c64/9.png" data-mid="169657071" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1101400cfa78da9a00aa5402d1290edefcf5805628565e9d65e30ee8ad2d9c64/9.png" /&#62;
[36/2022] &#38;nbsp;Sie sind sich einig —&#38;nbsp;Photographed by Hermann Bredehorst/laif, Benno Kraehahn, Andreas Chudowski/laif, Berta Pfirsich,&#38;nbsp;Julia Steinigeweg/Agentur Focus, Henning Ross für DIE ZEIT (v.l.n.r.)


















	INFO
	Art Direction &#38;amp; DesignMalin Schulz, Jan Kny, Jan Lichte, Lydia Sperber


Director of Photography:Amélie Schneider


Freelance Photo EditorDiana Decker
	
DIE ZEIT
Zeitverlag Gerd Bucerius GmbH &#38;amp; Co. KG

︎︎︎&#38;nbsp;zeit.de
︎︎︎&#38;nbsp;instagram/zeit






</description>
		
	</item>
		
		
	<item>
		<title>Die ZEIT Unterhaltung</title>
				
		<link>https://dianadecker.de/Die-ZEIT-Unterhaltung</link>

		<pubDate>Thu, 30 Mar 2023 14:26:13 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/Die-ZEIT-Unterhaltung</guid>

		<description>



	DIE ZEIT — Unterhaltung&#38;nbsp;
	2022



&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/84b68d5c4bc50405fe953f845942725fc4ee8721547ffee5e1afc0a9aa5f239f/7.png" data-mid="173683924" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/84b68d5c4bc50405fe953f845942725fc4ee8721547ffee5e1afc0a9aa5f239f/7.png" /&#62;
[02/2023] &#38;nbsp;Frühstück bis 10 Uhr ist schon brutal — Photographed&#38;nbsp;by Thomas Pirot






&#60;img width="1134" height="1600" width_o="1134" height_o="1600" data-src="https://freight.cargo.site/t/original/i/57138a77753c2564eddceeced8ac20db12f7ec0095a6570a3f114103c77debc2/14.png" data-mid="173972771" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/57138a77753c2564eddceeced8ac20db12f7ec0095a6570a3f114103c77debc2/14.png" /&#62;
[47/2022]&#38;nbsp; “Sie holen sich unsere Unterhaltungsdrogen” — Photographed by José Manuel González Navarro















	INFO
	Art Direction &#38;amp; DesignMalin Schulz, Jan Kny, Jan Lichte, Lydia Sperber


Director of Photography:Amélie Schneider


Freelance Photo EditorDiana Decker
	
DIE ZEIT
Zeitverlag Gerd Bucerius GmbH &#38;amp; Co. KG

︎︎︎&#38;nbsp;zeit.de
︎︎︎&#38;nbsp;instagram/zeit






</description>
		
	</item>
		
		
	<item>
		<title>Connected Archives</title>
				
		<link>https://dianadecker.de/Connected-Archives</link>

		<pubDate>Sun, 19 Feb 2023 11:28:42 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/Connected-Archives</guid>

		<description>&#60;img width="4000" height="2500" width_o="4000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/4d74c263157e501d2b52b9433e40515886e13525170975e8a2a2f6b514731e05/mockup_ipad.jpg" data-mid="171135745" border="0"  src="https://freight.cargo.site/w/1000/i/4d74c263157e501d2b52b9433e40515886e13525170975e8a2a2f6b514731e05/mockup_ipad.jpg" /&#62;
	Connected Archives / Image Licensing&#38;nbsp;

	I worked as a photo agent for an international collective of photographers who shared a passion for creating compelling and thought-provoking images. Connected Archives is a modern photography agency and licensing platform that advocates for creativity, fresh perspectives, and unique storytelling. Connected Archives helps brands as well editorials to share their narratives with genuinely authentic and captivating creative content.
My responsibilities included managing artist relationships, licensing images, curating online galleries, creating newsletters, handling bookkeeping, and negotiating contracts.

Photographed by Evelyn Freya, David Avazzadeh, Marco Argüello

	2021–2022










	&#60;img width="3360" height="2030" width_o="3360" height_o="2030" data-src="https://freight.cargo.site/t/original/i/8ebd0eb2aa96f1ab3cc2964679bd88bd520cdce13589991612e5720e216093a3/CA_Website_Mockup.png" data-mid="171363352" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/8ebd0eb2aa96f1ab3cc2964679bd88bd520cdce13589991612e5720e216093a3/CA_Website_Mockup.png" /&#62;


	





	Merchandise T-Shirt
	2022


&#60;img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/b366e7be03a37e26dbfcf3ed301b2ce745fe8ef2ac5b8eb017b650ae8ccddca5/Tshirt.png" data-mid="173138921" border="0"  src="https://freight.cargo.site/w/700/i/b366e7be03a37e26dbfcf3ed301b2ce745fe8ef2ac5b8eb017b650ae8ccddca5/Tshirt.png" /&#62;
Photographed by Alex Crétey Systermans



















	INFO&#38;nbsp;
	FounderDaniel Gebhardt Koekkoek

Photo Agent/Editor
Diana Decker
	Connected Archives
Image Licensing&#38;nbsp;

︎︎︎ &#38;nbsp;connected-archives.com&#38;nbsp;
︎︎︎ &#38;nbsp;instagram/connectedarchives






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	<item>
		<title>der Freitag</title>
				
		<link>https://dianadecker.de/der-Freitag</link>

		<pubDate>Mon, 27 Feb 2023 13:23:14 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/der-Freitag</guid>

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	der Freitag
	2021–2023

&#60;img width="1025" height="1485" width_o="1025" height_o="1485" data-src="https://freight.cargo.site/t/original/i/831bb4122ca09a86c751cde92c81f1b0815581382ca10f3a0a0e1c539df91c20/Zeitung_Freitag.png" data-mid="177656184" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/831bb4122ca09a86c751cde92c81f1b0815581382ca10f3a0a0e1c539df91c20/Zeitung_Freitag.png" /&#62;
[02/2023] &#38;nbsp;Gerechtigkeit ist ungerecht&#38;nbsp;— Photographed&#38;nbsp;by Philotheus Nisch










	der Freitag&#38;nbsp;
	2022

	&#60;img width="1024" height="1486" width_o="1024" height_o="1486" data-src="https://freight.cargo.site/t/original/i/bd38975be8addaf23a48eaf99c32c48a05591dc941c0fbd2e913540cb3acc50c/DerFreitag1.png" data-mid="169874521" border="0"  src="https://freight.cargo.site/w/1000/i/bd38975be8addaf23a48eaf99c32c48a05591dc941c0fbd2e913540cb3acc50c/DerFreitag1.png" /&#62;
[15/2022] &#38;nbsp;“Franzosen wollen Leader”  — Photographed by Florian Thoss&#38;nbsp;
	&#60;img width="1025" height="1488" width_o="1025" height_o="1488" data-src="https://freight.cargo.site/t/original/i/8549ae76edb7052f6b7103e753a4593e5e8869da1a5bc8e676a3a7a030dd4f50/DerFreitag-04.png" data-mid="169851225" border="0"  src="https://freight.cargo.site/w/1000/i/8549ae76edb7052f6b7103e753a4593e5e8869da1a5bc8e676a3a7a030dd4f50/DerFreitag-04.png" /&#62;
[47/2022] &#38;nbsp;Inflationspanik hilft nicht — Photographed by Philotheus Nisch

	&#60;img width="1025" height="1485" width_o="1025" height_o="1485" data-src="https://freight.cargo.site/t/original/i/51e19b743cee7c9694b022e08751b39772ba432fc26ec3754fad6e0c02ce1979/DerFreitag-01.png" data-mid="169851222" border="0"  src="https://freight.cargo.site/w/1000/i/51e19b743cee7c9694b022e08751b39772ba432fc26ec3754fad6e0c02ce1979/DerFreitag-01.png" /&#62;
[38/2021] &#38;nbsp; A–Z Bar — Photographed by Marc Krause/Connected Archives












	&#60;img width="1025" height="1486" width_o="1025" height_o="1486" data-src="https://freight.cargo.site/t/original/i/040bee1fe68b932897f47367fa5ba07d36748e2024a35dca94f0b811be8bb84a/DerFreitag_10-09.png" data-mid="172651179" border="0"  src="https://freight.cargo.site/w/1000/i/040bee1fe68b932897f47367fa5ba07d36748e2024a35dca94f0b811be8bb84a/DerFreitag_10-09.png" /&#62;
[08/2023]&#38;nbsp; A–Z Berlin Alternativen — Photographed by Marcus Glahn
	&#60;img width="1027" height="1487" width_o="1027" height_o="1487" data-src="https://freight.cargo.site/t/original/i/9aff072ee4b56c05f1796bc35fa8a991df07053f56d109434193b38b6d0f5895/DerFreitag-06.png" data-mid="169851231" border="0"  src="https://freight.cargo.site/w/1000/i/9aff072ee4b56c05f1796bc35fa8a991df07053f56d109434193b38b6d0f5895/DerFreitag-06.png" /&#62;
[41/2022] &#38;nbsp;Teenies gegen Omas — Photographed by Nikita Dembinski

	&#60;img width="1025" height="1486" width_o="1025" height_o="1486" data-src="https://freight.cargo.site/t/original/i/945e871f7be6ca65c47a603248dc76e7b9d64753ab19ae49c31481da32544521/Zeitung-Mockup1.png" data-mid="169850088" border="0"  src="https://freight.cargo.site/w/1000/i/945e871f7be6ca65c47a603248dc76e7b9d64753ab19ae49c31481da32544521/Zeitung-Mockup1.png" /&#62;
[38/2021] &#38;nbsp;Saniert, bereinigt&#38;nbsp;— &#38;nbsp;Photographed by Clara Nebeling/Connected Archives&#38;nbsp;











&#60;img width="1025" height="1486" width_o="1025" height_o="1486" data-src="https://freight.cargo.site/t/original/i/b680c104785e810a33e137d0212dfd38e7238d8a6630fa3555b69c373936dab4/DerFreitag_10-08.png" data-mid="172651176" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/b680c104785e810a33e137d0212dfd38e7238d8a6630fa3555b69c373936dab4/DerFreitag_10-08.png" /&#62;
[43/2022] &#38;nbsp;Eine Perle der Natur —&#38;nbsp;Photographed by Nadia Morozewicz
















	INFO
	
Art Direction &#38;amp; DesignLisa Kolbe, Christian Bobsien, Susann Massute, Felix Velasco

Photo EditorsNiklas Rock, Ann-Kristin Ziegler

Freelance Photo Editor 
 Diana Decker
 
	der Freitag Mediengesellschaft mbh &#38;amp; Co. KG Hegelplatz 1 10117 Berlin 

︎︎︎&#38;nbsp; freitag.de
︎︎︎&#38;nbsp; instagram/freitag






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	<item>
		<title>Die Epilog</title>
				
		<link>https://dianadecker.de/Die-Epilog</link>

		<pubDate>Wed, 08 Feb 2023 15:49:39 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/Die-Epilog</guid>

		<description>&#60;img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/c29bd60d08e472fe4f2115ee450b68dc0aef0f58890d70b3f62bc0570890130d/Zeichenflache-1.svg" data-mid="173647860" border="0"  src="https://freight.cargo.site/w/1000/i/c29bd60d08e472fe4f2115ee450b68dc0aef0f58890d70b3f62bc0570890130d/Zeichenflache-1.svg" /&#62;
	Die Epilog
Zeitschrift zum Gesellschaftswandel&#38;nbsp;

	Die Epilog war bis 2023 eine Zeitschrift für Fragen, Antworten, Pointen und überraschende Wendungen zur Gegenwartskultur.Gegründet 2012 in Weimar, blickte sie von Berlin aus einmal jährlich mit Optimismus und kulturtheoretischer Brille auf Phänomene, die Menschen in Bewegung beschäftigen. Mit Texten zwischen Essay, Reportage, Lyrik und die Denkräume erweiternden Bildstrecken war jede Ausgabe von Die Epilog ein sorgfältig kuratiertes und effektvoll gestaltetes Ausloten eines immer wieder neuen Themenfeldes.
	2014–2023





	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/e16c447f6f0d5c52a4cd6afdb2596bbe732a980e3df9076ad213707a51179cee/210623-die-epilog-0071-2048x.jpg" data-mid="173678293" border="0"  src="https://freight.cargo.site/w/1000/i/e16c447f6f0d5c52a4cd6afdb2596bbe732a980e3df9076ad213707a51179cee/210623-die-epilog-0071-2048x.jpg" /&#62;
Photographed by Raby-Florence Fauna, Nadia Morozewicz, Nicolas Polli

	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/940196ef57e4a0e517271b8f8041ecf0375b2c5e95ca3ead6d82fff69ac9aacd/210623_Die_Epilog_0072.jpg" data-mid="173678292" border="0"  src="https://freight.cargo.site/w/1000/i/940196ef57e4a0e517271b8f8041ecf0375b2c5e95ca3ead6d82fff69ac9aacd/210623_Die_Epilog_0072.jpg" /&#62;Photographed by Claude Gasser, Lukas Keysell, Tiziano Demuro, Fred Heinsohn

	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/89194a2c0ab50b91b843f59ad9dcd21929cdbb2a55a1b4078c1b2ed7eed1b43a/210623-die-epilog-0085-2048x.jpg" data-mid="173678303" border="0"  src="https://freight.cargo.site/w/1000/i/89194a2c0ab50b91b843f59ad9dcd21929cdbb2a55a1b4078c1b2ed7eed1b43a/210623-die-epilog-0085-2048x.jpg" /&#62;
Photographed by Nicolas Polli









	Die Epilog –&#38;nbsp;Das Leben ist Hart
	2020


	
	&#60;img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/391512c7d29a7be94517c61587a5cd1468ab00a0f1ee65e083c0be1d93dc8d53/Zeichenflache-1-Kopie-2.svg" data-mid="173678189" border="0"  src="https://freight.cargo.site/w/1000/i/391512c7d29a7be94517c61587a5cd1468ab00a0f1ee65e083c0be1d93dc8d53/Zeichenflache-1-Kopie-2.svg" /&#62;
Photographed by Maike Kenn



	&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/ea45a7b45f0a75d6a3c6adf770cd5d6c4cbb5f7a2b49dc1504d9554a5a0fc20c/20200430_Epilog_Nr9_FASchaap_058.jpg" data-mid="175928756" border="0"  src="https://freight.cargo.site/w/1000/i/ea45a7b45f0a75d6a3c6adf770cd5d6c4cbb5f7a2b49dc1504d9554a5a0fc20c/20200430_Epilog_Nr9_FASchaap_058.jpg" /&#62;


	&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/dd789ade6a1b345aace64736c29fd8ed88024728e5bf50f3eaaaed3459578884/20200430_Epilog_Nr9_FASchaap_053.jpg" data-mid="175928752" border="0"  src="https://freight.cargo.site/w/1000/i/dd789ade6a1b345aace64736c29fd8ed88024728e5bf50f3eaaaed3459578884/20200430_Epilog_Nr9_FASchaap_053.jpg" /&#62;
Photographed by Elena Aya Bundurakis

	&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/ca8a048ac147e8fb798b4cf842589fb0ccb0885c44ecffc43a71326eb558f0d0/20200430_Epilog_Nr9_FASchaap_090.jpg" data-mid="168431890" border="0"  src="https://freight.cargo.site/w/1000/i/ca8a048ac147e8fb798b4cf842589fb0ccb0885c44ecffc43a71326eb558f0d0/20200430_Epilog_Nr9_FASchaap_090.jpg" /&#62;Illustrated by Magalie Brueder











	Die Epilog – Das Leben ist Hart
	2019


	&#60;img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/90b862f565f1a2361ff2ef640c009681d4ed0ad87d06a8a146b052806343c660/_DSC0120_bearb.jpg" data-mid="167943561" border="0"  src="https://freight.cargo.site/w/1000/i/90b862f565f1a2361ff2ef640c009681d4ed0ad87d06a8a146b052806343c660/_DSC0120_bearb.jpg" /&#62;
Photograph by&#38;nbsp;Frederike Wetzel




	&#60;img width="2000" height="1328" width_o="2000" height_o="1328" data-src="https://freight.cargo.site/t/original/i/6096b586a4b6f5d9efc2a9ea5e057680ff8d5d64de7cf78c18c208245ce8316d/_DSC0152_bearb.jpg" data-mid="167943838" border="0"  src="https://freight.cargo.site/w/1000/i/6096b586a4b6f5d9efc2a9ea5e057680ff8d5d64de7cf78c18c208245ce8316d/_DSC0152_bearb.jpg" /&#62;
Photographed by Philotheus Nisch
	&#60;img width="2000" height="1328" width_o="2000" height_o="1328" data-src="https://freight.cargo.site/t/original/i/d1d772ecf930ae6a7f48b2eac13b492e4f045b97485fa16014630ab199345cf4/_DSC0174_bearb.jpg" data-mid="169734569" border="0"  src="https://freight.cargo.site/w/1000/i/d1d772ecf930ae6a7f48b2eac13b492e4f045b97485fa16014630ab199345cf4/_DSC0174_bearb.jpg" /&#62;
Photographed by Max Siedentopf

	&#60;img width="2000" height="1328" width_o="2000" height_o="1328" data-src="https://freight.cargo.site/t/original/i/76b7b26899ceb058fa19dd4064b12f1e39a744ae84e6e03a9076c4d990a23b0e/_DSC0149_bearb.jpg" data-mid="169734567" border="0"  src="https://freight.cargo.site/w/1000/i/76b7b26899ceb058fa19dd4064b12f1e39a744ae84e6e03a9076c4d990a23b0e/_DSC0149_bearb.jpg" /&#62;&#38;nbsp;Collage&#38;nbsp;by&#38;nbsp;Sarah Bergmann, Diana Decker








Die Epilog – Online Curation
	
	2021



    













Die Epilog – Merchandise
	
	2019

	&#60;img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/b9be3dade422bbbc77f0771d793e54448da715cdd0ed50ff032317d889631b9a/DieEpilog_Tshirts_ElenaPA00312bearbeitet.jpg" data-mid="169659713" border="0"  src="https://freight.cargo.site/w/1000/i/b9be3dade422bbbc77f0771d793e54448da715cdd0ed50ff032317d889631b9a/DieEpilog_Tshirts_ElenaPA00312bearbeitet.jpg" /&#62;
Photographed by Elena Peters-Arnolds
	&#60;img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/a9c30dec2587f3392247cd5e968a8622912fd368e2f862e667ef4dbeaafb88b5/DieEpilog_Tshirts_ElenaPA00030bearbeitet.jpg" data-mid="169659712" border="0"  src="https://freight.cargo.site/w/1000/i/a9c30dec2587f3392247cd5e968a8622912fd368e2f862e667ef4dbeaafb88b5/DieEpilog_Tshirts_ElenaPA00030bearbeitet.jpg" /&#62;
Photographed by Elena Peters-Arnolds










	Die Epilog – Soli Sale&#38;nbsp;
	2018/19


	

	In the past two years, we organized a solidarity Christmas art sale in our Berlin office. This was an opportunity for people to purchase gifts for their friends and family, with a large portion of the proceeds going to the Berliner Kältehilfe and the rest going to the participating artists. The event provided an opportunity for us to utilize our network in the fields of photography, illustration, textile, graphic design, art, and culture to do something good together. Our main task was to organize and curate the event. We coordinated all aspects of the event, from selecting the artists to advertising and promoting the art sale.
	&#60;img width="1413" height="2119" width_o="1413" height_o="2119" data-src="https://freight.cargo.site/t/original/i/6b93e6ba158e289a43a08dde3a8f11db229ed9210d346119497e17db15a5f02c/_MG_3293_150.jpg" data-mid="169732110" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6b93e6ba158e289a43a08dde3a8f11db229ed9210d346119497e17db15a5f02c/_MG_3293_150.jpg" /&#62;Alexander Gehring
	&#60;img width="1424" height="2136" width_o="1424" height_o="2136" data-src="https://freight.cargo.site/t/original/i/ec0cd826fe6e61d118cd06d4c4b684f69a45ed874ef4638f81cf1076c290fccf/_MG_3352_150.jpg" data-mid="169828026" border="0"  src="https://freight.cargo.site/w/1000/i/ec0cd826fe6e61d118cd06d4c4b684f69a45ed874ef4638f81cf1076c290fccf/_MG_3352_150.jpg" /&#62;Maxi Virgili


	&#60;img width="2796" height="4194" width_o="2796" height_o="4194" data-src="https://freight.cargo.site/t/original/i/f1db253a882dfe385c9eb22523f2c9ec6672d59319b289590ab4f1f20584a833/_MG_3373.jpg" data-mid="169732164" border="0"  src="https://freight.cargo.site/w/1000/i/f1db253a882dfe385c9eb22523f2c9ec6672d59319b289590ab4f1f20584a833/_MG_3373.jpg" /&#62;
Patrick Vollrath
	&#60;img width="1424" height="2136" width_o="1424" height_o="2136" data-src="https://freight.cargo.site/t/original/i/06b8795a616eb54e1773726bb9f8482831fba7d024f4a5d026b02b9d67a7d698/_MG_3328_150.jpg" data-mid="169827989" border="0"  src="https://freight.cargo.site/w/1000/i/06b8795a616eb54e1773726bb9f8482831fba7d024f4a5d026b02b9d67a7d698/_MG_3328_150.jpg" /&#62;
Maxi Virgili

	&#60;img width="2848" height="4272" width_o="2848" height_o="4272" data-src="https://freight.cargo.site/t/original/i/715e9eb4f7b48c1632250bef5334139a3a63021b30a9ebf55c8fb0c77f08cbba/_MG_3345.jpg" data-mid="169732193" border="0"  src="https://freight.cargo.site/w/1000/i/715e9eb4f7b48c1632250bef5334139a3a63021b30a9ebf55c8fb0c77f08cbba/_MG_3345.jpg" /&#62;
Philotheus Nisch&#38;nbsp;

















	INFO
	Photo Direction
Sarah Bergmann, Ann-Kristin Ziegler,&#38;nbsp;Diana Decker

Art Direction
Viola Kristin Steinberg, Yulia Wagner,&#38;nbsp; Yoshiko Jentczak

Team
Jennifer Beck, Lisa Dreier, June Drevet, Fabian Ebeling, Steffen Greiner, Hans-Jakob Gohr, Mara Hofacker, Kristina Kaufmann, Verena Mühlegger, Rudi Nuss, Friederike Schneider 

	
Die Epilog e. V.Zossener Str. 47 10961 Berlin
︎︎︎&#38;nbsp; die-epilog.de
︎︎︎&#38;nbsp; instagram/dieepilog






</description>
		
	</item>
		
		
	<item>
		<title>Ostkreuzschule</title>
				
		<link>https://dianadecker.de/Ostkreuzschule</link>

		<pubDate>Sun, 26 Feb 2023 14:08:53 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/Ostkreuzschule</guid>

		<description>&#60;img width="6561" height="4374" width_o="6561" height_o="4374" data-src="https://freight.cargo.site/t/original/i/344a29cf0ec47af9ca43c4005a222987fdc9c962859be8713610ac4ad6af1b5b/OKS_Edited-107-von-116.jpg" data-mid="169740094" border="0"  src="https://freight.cargo.site/w/1000/i/344a29cf0ec47af9ca43c4005a222987fdc9c962859be8713610ac4ad6af1b5b/OKS_Edited-107-von-116.jpg" /&#62;
	2021 Edited

	2021 Edited is the eleventh edition of the former book&#38;nbsp;series New York Edited, a longstanding cooperation&#38;nbsp;between two prestigious photography schools&#38;nbsp;on two different continents: the International Center&#38;nbsp;of Photography (ICP) in New York, USA and Ostkreuzschule&#38;nbsp;für Fotografie (OKS) in Berlin, Germany. 
	2022




	&#60;img width="5027" height="3351" width_o="5027" height_o="3351" data-src="https://freight.cargo.site/t/original/i/229437d60078efa4f6a7915ea48ebef080033499c72b180b7d471d27ab32d5ab/OKS_Edited-27-von-116.jpg" data-mid="169740105" border="0"  src="https://freight.cargo.site/w/1000/i/229437d60078efa4f6a7915ea48ebef080033499c72b180b7d471d27ab32d5ab/OKS_Edited-27-von-116.jpg" /&#62;
Edited by Diana Decker

	&#60;img width="5027" height="3351" width_o="5027" height_o="3351" data-src="https://freight.cargo.site/t/original/i/246eeef92c2f9d7638a59debedbd2fe03267ee67ab0259ca4e72bf650c9caae9/OKS_Edited-30-von-116.jpg" data-mid="169740107" border="0"  src="https://freight.cargo.site/w/1000/i/246eeef92c2f9d7638a59debedbd2fe03267ee67ab0259ca4e72bf650c9caae9/OKS_Edited-30-von-116.jpg" /&#62;Photographed by Carin van der Donk

	&#60;img width="5027" height="3351" width_o="5027" height_o="3351" data-src="https://freight.cargo.site/t/original/i/41fce5fe2cee1fdda114960b964683a66f5a762f1e2032aebbaee6bb711894ce/OKS_Edited-29-von-116.jpg" data-mid="169740106" border="0"  src="https://freight.cargo.site/w/1000/i/41fce5fe2cee1fdda114960b964683a66f5a762f1e2032aebbaee6bb711894ce/OKS_Edited-29-von-116.jpg" /&#62;



	
	Moeder Taal: Mourning Walks&#38;nbsp;
The Dutch photographer channels her feelings of&#38;nbsp;grief and loss, resulting from her mother’s suicide,&#38;nbsp;during a stay in a psychiatric clinic. Carin van der&#38;nbsp;Donk invites the viewers to take part in her Mourning&#38;nbsp;Walks and takes them on a journey. The memory&#38;nbsp;of the morning ritual connects her with her mother.

Blurred portraits, passing clouds, and&#38;nbsp;bare branches seem like random snapshots that create&#38;nbsp;a tension of fleetingness and intimacy. Objects&#38;nbsp;like a snow-covered car in the night capture magical&#38;nbsp;moments that transform her daily life into a dream&#38;nbsp;and fantasy world.

This dream-like atmosphere is contrasted&#38;nbsp;by the photographer’s expressive self-portraits&#38;nbsp;that represent her self-examination and self-reflection&#38;nbsp;during her clinical treatment. Carin van der&#38;nbsp;Donk shares her grief with the viewers and invites&#38;nbsp;them to be part of her look into the mirror, the&#38;nbsp;questioning of herself, and the tension found within&#38;nbsp;her current situation.

	







	Ein schönes Bild &#38;nbsp;
	
	2020


	Schon der erste Blick auf das Portrait erzeugt eine angenehme Ruhe, eine Gelassenheit und Geborgenheit, die zunächst vom warmen und natürlich weichen Licht her rührt. Die subtile und zugleich ungewöhnliche Anordnung der Gesichter drei junger Frauen – zwei betten ihre Köpfe ganz sanft auf das Gesicht einer dritten, liegenden Frau – suggeriert, dass sie eine intime und verbundene Beziehung zueinander haben. Mit ihren verschlossenen Augen brechen sie einerseits mit einem möglichen Dialog zu uns Betrachtenden und andererseits entziehen sie sich dem Blick von außen, was zu einer faszinierenden Spannung führt. Sie lassen uns nicht näher an ihrer Verbundenheit teilhaben.

Mit dem sehr eng gewählten Bildausschnitt lenkt der Fotograf den Fokus ausschließlich auf die ruhenden Gesichter, ihre sehr sanften Gesichtszüge, ihre dunklen, lockigen Haare und ihre Haut. Alle drei Frauen tragen einen Nasenpiercing, was ein Verweis auf ihre gemeinsame Geschichte und Identität sein könnte. Im Hintergrund ist der leuchtend blaue Himmel mit einer Wolke zu sehen, die den Kopf der rechten Frau umrahmt.

Die Fotografie The Malik Sisters stammt aus einer Auftragsarbeit, die Vivek Vadoliya für ein Modeunternehmen fotografierte. Es zeigt die Schwestern Rohi (24), Zohra (22) und Sive (20). In den 90er-Jahren wanderte ihr Vater Azah Malik aus Pakistan nach England aus, um dort sein Medizinstudium fortzusetzen – die drei Töchter sind also als Teil der pakistanischen Diaspora dort geboren und aufgewachsen. Zudem entstand dieses Portrait im Frühjahr 2020, zu einem Zeitpunkt, wo das lokale medizinische Versorgungsnetz kollabierte und die Londoner*innen zu Abstandsregelungen und individueller, häuslicher Isolation aufgefordert waren. Der Aktualitätsbezug und die Sehnsucht nach körperlicher Nähe lassen sich beim Betrachten des Bildes nicht wegdenken.

Die Arbeit des Fotografen Vivek Vadoliya ist ebenfalls von der eigenen Migrationsgeschichte geprägt, da er als britischer Inder zweiter Generation in London lebt und arbeitet. Mit seinen zärtlichen Portraits möchte Vadoliya in der Modefotografie unterrepräsentierte Gemeinschaften zeigen und die Einzigartigkeit von Subkulturen dokumentieren. Indem er seine Modelle stilistisch eindrucksvoll und mit einer zeitgemäßen Bildsprache in Szene setzt, erzeugt er einen neuen Blick auf diese Communities, der von Leichtigkeit und Wärme bestimmt ist.
	
&#60;img width="1875" height="2344" width_o="1875" height_o="2344" data-src="https://freight.cargo.site/t/original/i/8729982bf38d9445e8b039141089db922d0734d37fae73f1347d901add732832/Zeichenflache-2.svg" data-mid="173660534" border="0"  src="https://freight.cargo.site/w/1000/i/8729982bf38d9445e8b039141089db922d0734d37fae73f1347d901add732832/Zeichenflache-2.svg" /&#62;
Photographed by Vivek Vadoliya

	
	








	Das UND Magazin – Da.Heim
	2021


	
&#60;img width="2812" height="1866" width_o="2812" height_o="1866" data-src="https://freight.cargo.site/t/original/i/bc59a185ff8a5380f98bb7960a86ed568ccbac83605f1c7cda78852bf7773c6b/Bildschirmfoto-2023-02-26-um-15.18.37.png" data-mid="169740705" border="0"  src="https://freight.cargo.site/w/1000/i/bc59a185ff8a5380f98bb7960a86ed568ccbac83605f1c7cda78852bf7773c6b/Bildschirmfoto-2023-02-26-um-15.18.37.png" /&#62;
&#60;img width="2818" height="1876" width_o="2818" height_o="1876" data-src="https://freight.cargo.site/t/original/i/9a8e44212c37e27a5e807dd332927d45ddac28765bef1884d45bccb8f3c2c61d/Bildschirmfoto-2023-02-26-um-15.18.47.png" data-mid="169740706" border="0"  src="https://freight.cargo.site/w/1000/i/9a8e44212c37e27a5e807dd332927d45ddac28765bef1884d45bccb8f3c2c61d/Bildschirmfoto-2023-02-26-um-15.18.47.png" /&#62;
&#60;img width="2818" height="1874" width_o="2818" height_o="1874" data-src="https://freight.cargo.site/t/original/i/841d6c339c3c39dc295f00ca815fe803b36bab131f74608b13a2db3f83a29d2e/Bildschirmfoto-2023-02-26-um-15.18.56.png" data-mid="169740707" border="0"  src="https://freight.cargo.site/w/1000/i/841d6c339c3c39dc295f00ca815fe803b36bab131f74608b13a2db3f83a29d2e/Bildschirmfoto-2023-02-26-um-15.18.56.png" /&#62;

Photographed by Claudia Bühler, Fabrizio Dal Vera, Anton Röntz, Tim Gassauer, Nils Böddingmeier


















	INFO
	Teacher
Nadja Masri

Class
Sabrina Böff, Diana Decker, Judith Fischer, Liane Geßner, Charlotte Hölter, Marina Hoppmann, Julia Johanning, Eva Neukirchner, Sina Opalka, Jana Redweik, Jens Reitemeyer, Jana Rothe, Jens Schittenhelm, Tilman Vogler
	Ostkreuzschule für FotografieBehaimstraße 32-3413086 Berlin

︎︎︎ &#38;nbsp;&#38;nbsp;oks-lab.ostkreuzschule.de
︎︎︎ &#38;nbsp;&#38;nbsp;instagram/ostkreuzschule_berlin





</description>
		
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	<item>
		<title>Ostkreuzschule Schönes Bild</title>
				
		<link>https://dianadecker.de/Ostkreuzschule-Schones-Bild</link>

		<pubDate>Thu, 30 Mar 2023 13:33:12 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/Ostkreuzschule-Schones-Bild</guid>

		<description>
	&#60;img width="1875" height="2344" width_o="1875" height_o="2344" data-src="https://freight.cargo.site/t/original/i/8729982bf38d9445e8b039141089db922d0734d37fae73f1347d901add732832/Zeichenflache-2.svg" data-mid="173676136" border="0"  src="https://freight.cargo.site/w/1000/i/8729982bf38d9445e8b039141089db922d0734d37fae73f1347d901add732832/Zeichenflache-2.svg" /&#62;Photographed by Vivek Vadoliya
	
Ein schönes Bild
Schon der erste Blick auf das Portrait erzeugt eine angenehme Ruhe, eine Gelassenheit und Geborgenheit, die zunächst vom warmen und natürlich weichen Licht her rührt. Die subtile und zugleich ungewöhnliche Anordnung der Gesichter drei junger Frauen – zwei betten ihre Köpfe ganz sanft auf das Gesicht einer dritten, liegenden Frau – suggeriert, dass sie eine intime und verbundene Beziehung zueinander haben. Mit ihren verschlossenen Augen brechen sie einerseits mit einem möglichen Dialog zu uns Betrachtenden und andererseits entziehen sie sich dem Blick von außen, was zu einer faszinierenden Spannung führt. Sie lassen uns nicht näher an ihrer Verbundenheit teilhaben.
Mit dem sehr eng gewählten Bildausschnitt lenkt der Fotograf den Fokus ausschließlich auf die ruhenden Gesichter, ihre sehr sanften Gesichtszüge, ihre dunklen, lockigen Haare und ihre Haut. Alle drei Frauen tragen einen Nasenpiercing, was ein Verweis auf ihre gemeinsame Geschichte und Identität sein könnte. Im Hintergrund ist der leuchtend blaue Himmel mit einer Wolke zu sehen, die den Kopf der rechten Frau umrahmt.

Die Fotografie The Malik Sisters stammt aus einer Auftragsarbeit, die Vivek Vadoliya für ein Modeunternehmen fotografierte. Es zeigt die Schwestern Rohi (24), Zohra (22) und Sive (20). In den 90er-Jahren wanderte ihr Vater Azah Malik aus Pakistan nach England aus, um dort sein Medizinstudium fortzusetzen – die drei Töchter sind also als Teil der pakistanischen Diaspora dort geboren und aufgewachsen. Zudem entstand dieses Portrait im Frühjahr 2020, zu einem Zeitpunkt, wo das lokale medizinische Versorgungsnetz kollabierte und die Londoner*innen zu Abstandsregelungen und individueller, häuslicher Isolation aufgefordert waren. Der Aktualitätsbezug und die Sehnsucht nach körperlicher Nähe lassen sich beim Betrachten des Bildes nicht wegdenken.
Die Arbeit des Fotografen Vivek Vadoliya ist ebenfalls von der eigenen Migrationsgeschichte geprägt, da er als britischer Inder zweiter Generation in London lebt und arbeitet. Mit seinen zärtlichen Portraits möchte Vadoliya in der Modefotografie unterrepräsentierte Gemeinschaften zeigen und die Einzigartigkeit von Subkulturen dokumentieren. Indem er seine Modelle stilistisch eindrucksvoll und mit einer zeitgemäßen Bildsprache in Szene setzt, erzeugt er einen neuen Blick auf diese Communities, der von Leichtigkeit und Wärme bestimmt ist.








2021 Edited

	
	2022&#60;img width="6561" height="4374" width_o="6561" height_o="4374" data-src="https://freight.cargo.site/t/original/i/344a29cf0ec47af9ca43c4005a222987fdc9c962859be8713610ac4ad6af1b5b/OKS_Edited-107-von-116.jpg" data-mid="173676126" border="0"  src="https://freight.cargo.site/w/1000/i/344a29cf0ec47af9ca43c4005a222987fdc9c962859be8713610ac4ad6af1b5b/OKS_Edited-107-von-116.jpg" /&#62;
2021 Edited

	2021 Edited is the eleventh edition of the former book series New York Edited, a longstanding cooperation&#38;nbsp;between two prestigious photography schools&#38;nbsp;on two different continents: the International Center&#38;nbsp;of Photography (ICP) in New York, USA and Ostkreuzschule&#38;nbsp;für Fotografie (OKS) in Berlin, Germany. 
	2022






	&#60;img width="5027" height="3351" width_o="5027" height_o="3351" data-src="https://freight.cargo.site/t/original/i/229437d60078efa4f6a7915ea48ebef080033499c72b180b7d471d27ab32d5ab/OKS_Edited-27-von-116.jpg" data-mid="173676130" border="0"  src="https://freight.cargo.site/w/1000/i/229437d60078efa4f6a7915ea48ebef080033499c72b180b7d471d27ab32d5ab/OKS_Edited-27-von-116.jpg" /&#62;
Edited by Diana Decker

	&#60;img width="5027" height="3351" width_o="5027" height_o="3351" data-src="https://freight.cargo.site/t/original/i/246eeef92c2f9d7638a59debedbd2fe03267ee67ab0259ca4e72bf650c9caae9/OKS_Edited-30-von-116.jpg" data-mid="173676132" border="0"  src="https://freight.cargo.site/w/1000/i/246eeef92c2f9d7638a59debedbd2fe03267ee67ab0259ca4e72bf650c9caae9/OKS_Edited-30-von-116.jpg" /&#62;Photographed by Carin van der Donk

	&#60;img width="5027" height="3351" width_o="5027" height_o="3351" data-src="https://freight.cargo.site/t/original/i/41fce5fe2cee1fdda114960b964683a66f5a762f1e2032aebbaee6bb711894ce/OKS_Edited-29-von-116.jpg" data-mid="173676131" border="0"  src="https://freight.cargo.site/w/1000/i/41fce5fe2cee1fdda114960b964683a66f5a762f1e2032aebbaee6bb711894ce/OKS_Edited-29-von-116.jpg" /&#62;



	
	Moeder Taal: Mourning Walks&#38;nbsp;
The Dutch photographer channels her feelings of&#38;nbsp;grief and loss, resulting from her mother’s suicide,&#38;nbsp;during a stay in a psychiatric clinic. Carin van der&#38;nbsp;Donk invites the viewers to take part in her Mourning&#38;nbsp;Walks and takes them on a journey. The memory&#38;nbsp;of the morning ritual connects her with her mother.

Blurred portraits, passing clouds, and&#38;nbsp;bare branches seem like random snapshots that create&#38;nbsp;a tension of fleetingness and intimacy. Objects&#38;nbsp;like a snow-covered car in the night capture magical&#38;nbsp;moments that transform her daily life into a dream&#38;nbsp;and fantasy world.

This dream-like atmosphere is contrasted&#38;nbsp;by the photographer’s expressive self-portraits&#38;nbsp;that represent her self-examination and self-reflection&#38;nbsp;during her clinical treatment. Carin van der&#38;nbsp;Donk shares her grief with the viewers and invites&#38;nbsp;them to be part of her look into the mirror, the&#38;nbsp;questioning of herself, and the tension found within&#38;nbsp;her current situation.

	







	Das UND Magazin – Da.Heim
	2021


	
&#60;img width="2812" height="1866" width_o="2812" height_o="1866" data-src="https://freight.cargo.site/t/original/i/bc59a185ff8a5380f98bb7960a86ed568ccbac83605f1c7cda78852bf7773c6b/Bildschirmfoto-2023-02-26-um-15.18.37.png" data-mid="173676133" border="0"  src="https://freight.cargo.site/w/1000/i/bc59a185ff8a5380f98bb7960a86ed568ccbac83605f1c7cda78852bf7773c6b/Bildschirmfoto-2023-02-26-um-15.18.37.png" /&#62;
&#60;img width="2818" height="1876" width_o="2818" height_o="1876" data-src="https://freight.cargo.site/t/original/i/9a8e44212c37e27a5e807dd332927d45ddac28765bef1884d45bccb8f3c2c61d/Bildschirmfoto-2023-02-26-um-15.18.47.png" data-mid="173676134" border="0"  src="https://freight.cargo.site/w/1000/i/9a8e44212c37e27a5e807dd332927d45ddac28765bef1884d45bccb8f3c2c61d/Bildschirmfoto-2023-02-26-um-15.18.47.png" /&#62;
&#60;img width="2818" height="1874" width_o="2818" height_o="1874" data-src="https://freight.cargo.site/t/original/i/841d6c339c3c39dc295f00ca815fe803b36bab131f74608b13a2db3f83a29d2e/Bildschirmfoto-2023-02-26-um-15.18.56.png" data-mid="173676135" border="0"  src="https://freight.cargo.site/w/1000/i/841d6c339c3c39dc295f00ca815fe803b36bab131f74608b13a2db3f83a29d2e/Bildschirmfoto-2023-02-26-um-15.18.56.png" /&#62;
Photographed by Claudia Bühler, Fabrizio Dal Vera, Anton Röntz, Tim Gassauer, Nils Böddingmeier


















	INFO
	Teacher
Nadja Masri

Class
Sabrina Böff, Diana Decker, Judith Fischer, Liane Geßner, Charlotte Hölter, Marina Hoppmann, Julia Johanning, Eva Neukirchner, Sina Opalka, Jana Redweik, Jens Reitemeyer, Jana Rothe, Jens Schittenhelm, Tilman Vogler
	Ostkreuzschule für FotografieBehaimstraße 32-3413086 Berlin

︎︎︎ &#38;nbsp;&#38;nbsp;oks-lab.ostkreuzschule.de
︎︎︎ &#38;nbsp;&#38;nbsp;instagram/ostkreuzschule_berlin





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	<item>
		<title>Falling Walls</title>
				
		<link>https://dianadecker.de/Falling-Walls</link>

		<pubDate>Sun, 26 Feb 2023 13:28:41 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/Falling-Walls</guid>

		<description>&#60;img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/ee0554c478731815479838f6374ce4ba55d05ac6d8523972e87ea45f5e020668/FW-01.svg" data-mid="173648642" border="0"  src="https://freight.cargo.site/w/1000/i/ee0554c478731815479838f6374ce4ba55d05ac6d8523972e87ea45f5e020668/FW-01.svg" /&#62;
	Falling Walls Foundation&#38;nbsp;

	Falling Walls is the unique global hub connecting science, business and society. We shape the future of humanity by impact-oriented ideas and discoveries, driven by our shared dedication for creating breakthroughs across borders and disciplines. As a vessel for the world-changing spirit of 1989 in and beyond Berlin, we are on a relentless pursuit to find out: Which are the next walls to fall?

	2018–2022







&#60;img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/b227803b0a7d8bd0d92c96f14621113f1561f1d0097f79ed56b09ecee39d8f4d/Zeichenflache-1-Kopie-5.svg" data-mid="173651057" border="0"  src="https://freight.cargo.site/w/1000/i/b227803b0a7d8bd0d92c96f14621113f1561f1d0097f79ed56b09ecee39d8f4d/Zeichenflache-1-Kopie-5.svg" /&#62;
Falling Walls Engage by Photothek

	&#60;img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/549c9d8ebc27bd76375fa8d4aa6a02469d48be1c06431eec9247081315a9b62b/Zeichenflache-1-Kopie-7.svg" data-mid="173651254" border="0"  src="https://freight.cargo.site/w/1000/i/549c9d8ebc27bd76375fa8d4aa6a02469d48be1c06431eec9247081315a9b62b/Zeichenflache-1-Kopie-7.svg" /&#62;FallingWalls Conference by&#38;nbsp;Photothek

	&#60;img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/407485d943456b9e779660e6eb12b7389ad7b363f5e7ce93ff71c4700997d890/Zeichenflache-1-Kopie-6.svg" data-mid="173651058" border="0"  src="https://freight.cargo.site/w/1000/i/407485d943456b9e779660e6eb12b7389ad7b363f5e7ce93ff71c4700997d890/Zeichenflache-1-Kopie-6.svg" /&#62;Falling Walls Conference by Photothek








	Falling Walls Lab – Breakthrough Ideas&#38;nbsp;
	2020

&#60;img width="1875" height="2742" width_o="1875" height_o="2742" data-src="https://freight.cargo.site/t/original/i/5c8410d71f4d6ca15ef4fcd96192f230a0b59110d9239de85a9227b32bf8851a/Zeichenflache-2-Kopie.svg" data-mid="173653016" border="0"  src="https://freight.cargo.site/w/1000/i/5c8410d71f4d6ca15ef4fcd96192f230a0b59110d9239de85a9227b32bf8851a/Zeichenflache-2-Kopie.svg" /&#62;Philotheus Nisch
	
&#60;img width="1875" height="2742" width_o="1875" height_o="2742" data-src="https://freight.cargo.site/t/original/i/c0ef83b7af5688a3290577c4286e154ebec255ed0cd1a684806792791b0d32ed/Zeichenflache-2-Kopie-2.svg" data-mid="173653014" border="0"  src="https://freight.cargo.site/w/1000/i/c0ef83b7af5688a3290577c4286e154ebec255ed0cd1a684806792791b0d32ed/Zeichenflache-2-Kopie-2.svg" /&#62;Philotheus Nisch

	
&#60;img width="1875" height="2742" width_o="1875" height_o="2742" data-src="https://freight.cargo.site/t/original/i/40e98c1c82c0e98edac1c5ad07348a644a33fc39bffd40841df5747b7938cdd5/Zeichenflache-2-Kopie-3.svg" data-mid="173653015" border="0"  src="https://freight.cargo.site/w/1000/i/40e98c1c82c0e98edac1c5ad07348a644a33fc39bffd40841df5747b7938cdd5/Zeichenflache-2-Kopie-3.svg" /&#62;
Philotheus Nisch







	Falling Walls Circle&#38;nbsp;
	
	2020


	&#60;img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/fc10a00b94f91a67daa97c3adde8998ef1794619834003f60923a9efc47c052d/Zeichenflache-1-Kopie-9.svg" data-mid="173652097" border="0"  src="https://freight.cargo.site/w/1000/i/fc10a00b94f91a67daa97c3adde8998ef1794619834003f60923a9efc47c052d/Zeichenflache-1-Kopie-9.svg" /&#62;
Laura Gessner 

	&#60;img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/0fe72b85d0f9547157e2f50bfd92f2d1b082c1e339bce67c4b314d3d52009986/Zeichenflache-1-Kopie-8.svg" data-mid="173651946" border="0"  src="https://freight.cargo.site/w/1000/i/0fe72b85d0f9547157e2f50bfd92f2d1b082c1e339bce67c4b314d3d52009986/Zeichenflache-1-Kopie-8.svg" /&#62;Laura Gessner












	Falling Walls Foundation – Social Media Campaign&#38;nbsp;
	2020



&#60;img width="5960" height="3695" width_o="5960" height_o="3695" data-src="https://freight.cargo.site/t/original/i/d8b542bc24def23b506459d3a4e4474bb224eed937151db3af6cd18b05722fb1/Social-Media-Mock-Up_FW_black.png" data-mid="170837028" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/d8b542bc24def23b506459d3a4e4474bb224eed937151db3af6cd18b05722fb1/Social-Media-Mock-Up_FW_black.png" /&#62;
















	INFO&#38;nbsp;
	Managing Director
Imke Rajamani&#38;nbsp;

Communication&#38;nbsp;
Jennifer Lehmann&#38;nbsp;

Art Direction &#38;amp; Photo Direction
Diana Decker
	Falling Walls Foundation gGmbHKochstraße 6/710969 Berlin

︎︎︎&#38;nbsp; falling-walls.com︎︎︎ &#38;nbsp;instagram/falling_walls






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		<title>DUMMY Cover</title>
				
		<link>https://dianadecker.de/DUMMY-Cover</link>

		<pubDate>Sat, 25 Feb 2023 16:38:28 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/DUMMY-Cover</guid>

		<description>
	&#60;img width="1224" height="1600" width_o="1224" height_o="1600" data-src="https://freight.cargo.site/t/original/i/c1f222d4da238da1aebf10a13b7e4d4e56ba9b3091c1d98bf800a244657809b6/dummy_cover.png" data-mid="172660765" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/c1f222d4da238da1aebf10a13b7e4d4e56ba9b3091c1d98bf800a244657809b6/dummy_cover.png" /&#62;
 



	DUMMY – 
Unabbhängiges Gesellschaftsmagazin
	As part of my participation in the Picture Editing class at Ostkreuz Schule Berlin, I had the opportunity to conduct a photo research for Trine Skaarstad's Dummy Magazine. The theme for the December 2022 issue was "Fathers." I am thrilled that my research was selected and even used as the cover photo, despite the many other submissions.

	2021









	Thomas Maileander


	&#60;img width="1012" height="1267" width_o="1012" height_o="1267" data-src="https://freight.cargo.site/t/original/i/744bc71f61acf77b4c1ed56419957ed7aa3d16d43d04d0820ecef8b95abf2c42/70961774_158095178612801_1030933461010018122_n.jpg" data-mid="169661332" border="0"  src="https://freight.cargo.site/w/1000/i/744bc71f61acf77b4c1ed56419957ed7aa3d16d43d04d0820ecef8b95abf2c42/70961774_158095178612801_1030933461010018122_n.jpg" /&#62;

	&#60;img width="1012" height="1267" width_o="1012" height_o="1267" data-src="https://freight.cargo.site/t/original/i/a0c04f32e8c39256c0dc5a74e945f7000a78ae8da8edfa67a901ad1c23a332dd/NYC_Magazin_Thomas_Mailaender6.jpg" data-mid="169660822" border="0"  src="https://freight.cargo.site/w/1000/i/a0c04f32e8c39256c0dc5a74e945f7000a78ae8da8edfa67a901ad1c23a332dd/NYC_Magazin_Thomas_Mailaender6.jpg" /&#62;

	&#60;img width="986" height="1233" width_o="986" height_o="1233" data-src="https://freight.cargo.site/t/original/i/4d8a4f00856cbfe56b8863b1796846c593b292b1d529c505bb834597ac909bba/NYC_Magazin_Thomas_Mailaender1.jpg" data-mid="169660819" border="0"  src="https://freight.cargo.site/w/986/i/4d8a4f00856cbfe56b8863b1796846c593b292b1d529c505bb834597ac909bba/NYC_Magazin_Thomas_Mailaender1.jpg" /&#62;


















	INFO
	Photo EditorTrine Skraastad


Photo ResearchDiana Decker
	DUMMY Verlag GmbH

︎︎︎&#38;nbsp; dummy-magazin.de
︎︎︎&#38;nbsp; instagram/dummymagazin






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	<item>
		<title>About</title>
				
		<link>https://dianadecker.de/About</link>

		<pubDate>Thu, 09 Feb 2023 19:15:46 +0000</pubDate>

		<dc:creator>dianadecker</dc:creator>

		<guid isPermaLink="true">https://dianadecker.de/About</guid>

		<description>
	


	Diana Decker is a freelance photo editor and art director based in Berlin. She’s  the Director of Photography at Philosophie magazine in Germany and also works as a freelance photo editor for DIE ZEIT, Der Freitag and Studio Stauss.
Prior to that, Diana was a photo agent for emerging photographers at the image licensing platform Connected Archives and she was part of the editorial&#38;nbsp;staff of Die Epilog, a monothematic magazine about&#38;nbsp;contemporary culture. She has a strong focus in visual journalism, but also a good eye for contemporary, poetic and artistic photography.


EDUCATION

2011&#38;nbsp;— 2016 &#38;nbsp;&#38;nbsp;B.A. Media Studies, Bauhaus Universität Weimar 
2016 — 2019 &#38;nbsp;M.A. Media Art &#38;amp; Design, Bauhaus Universität Weimar 
2021 — 2022 &#38;nbsp;Photo Editing Class, Ostkreuzschule für Fotografie Berlin


SELECTED CLIENTS

Connected Archives, Der Freitag, DIE ZEIT, Die Epilog, Falling Walls Foundation, Philosophie Magazin, Therme Art Group, Universität Stuttgart, Studio Stauss, ReVue — Magazin für Fotografie und Wahrnehmung, X-Filme


SERVICES

Photo Editor/Photo Agent: Image Research, Curation and Consulting, Book Editing, Visual Storytelling, Image Licensing, Managing Rights and Agreements, Recommendations and Connections to Photographers and Publishers, Photo Production
Art Direction: Editorial Design, Exhibition Design, Visual Identities
Please, feel free to contect me for collaborations, freelance work or portfolio reviews to:&#38;nbsp;info@dianadecker.de

-&#38;gt; Contact
-&#38;gt; Instagram
-&#38;gt; Are.na

-&#38;gt;&#38;nbsp;Imprint&#38;nbsp;
-&#38;gt;&#38;nbsp;Privacy Policy



© Diana Decker, 2024&#38;nbsp;

	




















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